Tuesday, July 14, 2015

Getting Paid as a Writer - Are Free Books Poisoning the Well?

At some juncture last year, I came across the following clip (entitled "Pay the Writer") from a film about sci-fi icon Harlan Ellison: 




In it, as suggested by the title, Ellison talks about writers getting paid for what they do. Despite being only a few minutes long, the clip is laugh-out-loud funny in certain areas.  However, one of the the things that struck me is Ellison's statement that writers should get paid for everything they do.  (For instance, the clip starts off with Ellison providing an anecdote of someone wanting to use an interview he did for the television show Babylon 5. However, they want to use the interview for free; Ellison insists on being paid.)  Ellison states that it's the amateurs out there doing everything for free that make it so hard for the professionals, who understand that they shouldn't be doing anything without getting paid.

Ellison's comment puts me in mind of the current state of indie publishing, wherein many authors will offer their work for free.  Of course, the logic behind free is fairly straightforward: readers might take a chance on an otherwise unknown author if his work is free, whereas they might pass if they have to pay for it.  Hopefully those who obtain the book for free will read it and become fans, such that they might thereafter be willing to pay cold hard cash for future material by that particular author.

It's a strategy that has worked for a number of highly successful indie authors, but is it in fact poisoning the well?  Is "free" conditioning a certain segment of the reading population to only want to read books that don't cost them anything?  I remember a few years back reading a statement by Joe Konrath (who is clearly an indie publishing success story) that he planned to eventually rotate all of his books in and out of free.  One of the comments to that statement was from a reader who essentially said he'd never buy another Konrath book, because now he knew that - at some juncture - he'd be able to get every one of them for free.

From all accounts, Joe Konrath is still doing quite well, so maybe the number of readers willing to wait until all of his books are eventually free is minuscule. (And maybe that's the case across the board.)  Still, it's troubling to think that maybe free books are sending the wrong message to potential readers.  After all, Stephen King, James Patterson, Danielle Steel and others never had to start out offering books for free (at least not that I'm aware of).  That said, the advent of self-publishing has undoubtedly crowded the marketplace, making it harder than ever to get noticed.   

In retrospect, I think Ellison makes a valid point: writers need to be aware of the value of their work  and not be afraid of asking that they be appropriately compensated for it.  At the same time, because of the ever-shifting landscape that is indie publishing, there is no doubt that "free" has its place. However, it's a tool that has to be used judiciously as part of an overall plan. It is not, in and of itself, an answer or a solution to the barriers indie authors face.




Sunday, July 5, 2015

Some Thoughts on the Revamped Kindle Unlimited (KU 2.0)

As almost everyone knows by now, Amazon is now offering a revamped version of it's all-you-can-read buffet known as Kindle Unlimited.  Affectionately known as KU 2.0, this new offering is the same on the reader side of the equation ($9.99/month), but represents what could be a seismic shift on the author side.

I previously wrote about how the original KU offered tons of opportunities for unscrupulous behavior. However, for the purposes of this article, I will disregard the presence of scammers, con artists and the like and assume that every author with books in KU is honest.  

Basically, in its first iteration, authors in the program were paid whenever someone borrowed their books and read and least 10% of them.  Moreover, it didn't matter if your book was 10 pages in length or 10,000 - each borrow paid the same.  In other words, every author got the same buck-thirty (or whatever the monthly payout was) for each borrow, regardless of book length.  Great if you're the guy cranking out Penny Dreadfuls every couple of days; not so great if you're trying to be the next James Michener. 

However, under KU 2.0, authors won't simply be paid by the number of borrows but rather by the number of pages read.  In my book (no pun intended), that's a much fairer system. For instance, an author with books in KU 1.0 priced at $3.99 or more would really take a beating in terms of earnings each time a book was borrowed.  Now, being paid by the page, they at least have a chance of earning as much (or maybe even more) with a borrow.  In short, I think this is one that Amazon got right (or at least is headed in the right direction).

That said, let's not make the mistake of assuming that Amazon is instituting this change so that writers can be more fairly compensated.  Amazon is in the business of making money for Amazon; if authors just happen to benefit, that's merely a side effect. The whole point of KU, of course, is to put the squeeze on similar services, liked Scribd and Oyster.  KU 2.0 seems geared to attract many authors who may have stayed away from the program or opted out because the payout was so low - mostly those who write longer works as opposed to shorter ones.  And of course, the requirement for exclusivity - meaning that a book in KU can't be offered on another platform (e.g., Barnes & Noble) - would mean that authors opting in would have to remove their titles from other sales channels.  (Needless to say, the exclusivity requirement is overkill; Amazon is already the 800-pound gorilla in terms of book sales, so there's no need to crush all life out of the competition.  Besides, does Amazon really want to run the risk of there being an antitrust case down the road, with the company ultimately getting broken up like Ma Bell and Standard Oil?)

But back to the subject at hand, I would interpret Kindle 2.0 as a good thing.  (I know that many will disagree with that assessment, but it just strikes me as a more equitable system.) As to whether it will make me put my books back into KU, the jury is still out on that.  I'm really not a fan of exclusivity, and I like having my books available on as many platforms as possible.  (Moreover, if their goal is to make money, I think Amazon will earn a lot more of it by dropping the exclusivity requirement.)  So I'm still opting out for now, but maybe KU 3.0 will bait the hook with a more attractive lure. 


Friday, June 26, 2015

New Book Release: Revelation: A Kid Sensation Novel (Kid Sensation #4)

I am happy to announce that Revelation is now published! Needless to say, getting this one released has taken a lot longer than I ever imagined or intended, but - as they say - the best laid plans of mice and men...


As always, I've released both a paperback and an ebook version. (Again, releasing a paperback edition costs essentially nothing, so why not?)  At present, I believe Amazon shows it as having 309 pages, but it actually has 392.

Once again, the cover art was done by Isikol, who simply has a knack for capturing the image I have in my head. As is typical for me, I neglected to do a cover reveal, but I've never gotten a strong indication one way or another as to how readers feel about those.  (On the other hand, I did get a strong reaction to publishing an excerpt from the book, so maybe I'll pursue that option more often.)

Beyond that, let me say thanks once again to the many fans of this series.  I know that a lot of readers were eagerly awaiting the next installment, so thanks for your patience and I sincerely hope you enjoy the book.



Monday, June 1, 2015

"He's Dead, Jim..."


This is just for kicks and grins, but I somehow got onto the subject of catchphrases with my kids and decided to give them a perfect example of one: Dr. McCoy's famous - and famously parodied - line from the series Star Trek: "He's dead, Jim."   And it's perfectly captured in the clip below.




Frankly speaking, no matter how many times I watch this, it's still hilarious.  I often wonder if the writers would have changed that line if they could have seen into the future.  Regardless, I think it's great that their work gets to entertain us on two fronts: a show that's still fun to watch almost 50 years later, and a memorable catchphrase that's likely to live forever.



Monday, May 25, 2015

What Should I Write Next?

As I mentioned in my prior post, the latest Kid Sensation novel, Revelation, is finished.  It is now in the hands of my editor, and - with the cover also done - this is normally the time period during which I enjoy a few days of down time before I start writing the next book.

Historically, I've typically known what the next book was going to be at this juncture. Frankly speaking, one novel is usually making more noise in my head than the others, crying to be "born." That's what happened with my previous book, Terminus (Fringe Worlds #1).  The story had been in my mind for years and finally demanded to be released (in more ways than one).

If I were to go back to the pattern I initially established, a new Warden book usually follows on the heels of a Kid Sensation release, so having that next on the agenda would not be surprising. However, I'm severely tempted to buck the order.  Not only do I have the outline of a new Fringe Worlds book essentially laid out, but I've also had the story of the character Mouse (from the Kid Sensation books) pretty much completed - at least in my head - for a while now.  In fact, the Mouse book would probably be the quickest and easiest for me to finish.  (Of course, none of this is meant to say that I don't have anything in mind for Warden #4, because I've got the groundwork for that one established as well.)

All in all, I'm blessed to have three series that can all be considered successful (although to varying degrees) and which have found audiences. Still, having to single one out for special treatment - even if only temporarily - feels a little like being in the Twilight Zone for me:




Oh well, I'll probably just see which I feel like writing on the day I wrap up my R&R and that will probably be the next novel.  Hopefully it will be a book in one of the three aforementioned series, and not one of the many others that I've begun writing. (Speaking of which, I was actually inspired to put in a little work yesterday on a post-apocalyptic/dystopian novel that I started a while back.) However, I'm not making any promises at this point.





Monday, May 11, 2015

Update on Kid Sensation #4: Finished!

I am extremely happy to report that Revelation (Kid Sensation #4) is finally finished! I still have to do my usual read-through (not to mention getting it to my editor) but the manuscript is done! 

I can honestly say that this one has truly been a labor of love, as I have had to deal with a number of delays. One of the most prevalent of late has been the fact that my wife's computer, which she and our kids normally use for their work and projects, has been on the fritz for a while now. The result of that has been a detrimental effect on my output; basically, everyone has had to use the computer that I normally do my writing on to complete their regular activities. (There's not a whole lot you can do when your kid says, "Dad, I've got a project due tomorrow so I need to use the computer..." There's a lot more wiggle room in the writing schedule than there is in the deadline for school projects. Ergo, school takes precedence.)

That aside, I really want to stay in my thanks to everyone - readers, my editor, etc. - for the patience and understanding they've displayed. It is my hope that the next book won't take nearly as long. (Needless to say, one of the first things I'm going to do with any profits from the current book is to buy a dedicated computer for the wife and kiddies.)

Friday, February 27, 2015

Excerpt From Kid Sensation #4

I am still working hard on Revelation - the next Kid Sensation book - but haven't managed to finish it yet, despite my best intentions.  Between family obligations, travel for the day job (e.g., I was in 3 states over a four-day period recently), and other issues, I just haven't been able to write as much as I'd planned.  That said, I'm close to wrapping it up. (In my own opinion, all I need is five good writing days to get it done.) Right now, assuming no other hiccups, I'm hopeful I can get it published in March (although it may be towards the latter part of the month).

In the meantime, since I know fans of the series have been waiting a long time, I thought it might be fun to publish an excerpt from the book.  (One caveat: my editor hasn't gotten her hands on this yet, so you're getting a rare glimpse of the sausage-making process.) Hopefully it will whet everyone's appetite for the upcoming release:


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“Alpha Prime’s cell phone stopped functioning two days ago,” Mouse said. “Somewhere in the Midwest.”
“What does that mean, ‘stopped functioning?’” I asked.
“It means the battery died,” Mouse said in exasperation. “Or he dropped it in the ocean, or it got run over by a tank, or a million other things that would make it stop working.”
I looked at Megaton. “In that case, I guess it’s okay that we didn’t bother leaving him a message this afternoon.”
“Hold on,” Electra said. “You called Alpha Prime this afternoon? How’s that possible if his phone stopped working two days ago?”
Mouse wagged a finger at her. “You’re confusing the phone with the phone line, for lack of a better term. If someone turns their phone off or their battery dies, a caller will still hear the phone ring, be able to leave a message, and so on. Basically, the rest of the phone network will still work properly; it’s just the end device that’s not functioning.”
“Well, what about his communicator?” my uncle asked.
“This is where it gets weird,” Mouse said. “It’s not on the planet.”
“If it’s not on the planet, then where is it?” Electra asked.
“Outer space is a good guess,” Mouse replied.
Megaton’s face was a textbook example of incredulity. “Outer space?? Where in outer space?!” he practically demanded.
“The Crab Nebula, man – I don’t know,” Mouse replied with a shrug. “All I can tell you is that right around the time AP’s cell phone stopped working, his communicator went arcing into the upper atmosphere from the same geographic area.  Within thirty minutes it was in outer space. A few hours later it went beyond our ability to track.”
“Are you saying that Alpha Prime is somewhere in outer space?” asked Megaton.
“I don’t know,” Mouse answered, shaking his head. “But he’s had off-planet missions before. Still, he wouldn’t take off on something like that without telling people.”
            Mouse glanced in my direction as he finished speaking, and I knew what he was implying. My father was so dedicated to our building a relationship that he’d never have simply disappeared without getting word to me.
            “So, could he have been kidnapped by aliens or something?” Electra asked.
            Mouse rubbed his chin in thought. “It wouldn’t be the first instance of an alien race trying something like that, but if they did I’d expect there to be news coverage of an interstellar spaceship being ripped to shreds.”
            Megaton chuckled at the thought. “Yeah, that’s what happened last time.”
            “Assuming we can rule out extraterrestrial intervention,” Li said, “perhaps we should consider the forces already established as inimical to Alpha Prime.”
            “If you’re asking what can hurt him,” I said. “the answer is very little.  That said, he’s been known to be susceptible to magic.”
            “Also time dilation,” Megaton volunteered.
            “There are also certain natural phenomena that could, theoretically, harm him,” Mouse added, “but I don’t think he’s had exposure to any of those.”
            “Any chance he just took off for some R and R?” Electra suggested hopefully. “Maybe a few days of downtime to recharge his batteries?”
            To the general public, her question would have been perceived as ludicrous.  Physically, Alpha Prime was inexhaustible; he didn’t get tired, drained, fatigued, what have you.  However, what very few knew was that, emotionally and mentally, my father had grown incredibly weary of being a cape.  Maybe it was the stress of being held up as the world’s greatest superhero, the gold standard, but he’d told me on more than one occasion that he was ready to give it all up.
Perhaps Megaton and Mouse knew this about my father as well, because they took Electra’s question seriously, staring at one another as each silently contemplated what she had said.
            “What do you think?” Megaton asked after a few seconds.
            Mouse seemed to physically waver, heading bobbing from side to side, as he tossed the question around in his brain.
            “Well,” Mouse finally said, “he does have that little hideaway.”
            I didn’t say anything, but I knew what they were talking about. My father had a secret base that served as his retreat from the world whenever he needed a little time to himself.
            “If you’re talking about AP’s little clandestine stronghold,” Electra said, “he might be there, but nobody knows where it is.”
            “I do,” said Megaton.
            “Me, too,” said Mouse.
            Frankly speaking, I was a little surprised (and maybe a little jealous). My father hadn’t even told me where his secret base was, and he was desperate for us to develop a normal father-son bond.
            “So if we know where it is, what are we waiting for?” Electra asked in agitation.
            Any anxiety on her part was understandable. Electra was an orphan who had been raised by the Alpha League since infancy; AP was a father-figure to her. (One of several, in fact.) Our dating had made things a little awkward for Alpha Prime, but he had dealt with it admirably. The fact that he might be missing made any distress Electra was feeling justifiable.
            “It’s not that easy, Electra” Mouse said. “On those few occasions when he’s actually been injured, that stronghold, as you put it, has been the place that Alpha Prime usually retreated to.”
            “Why is that?” asked Li.
            “Because the place is equipped with formidable automatic defenses,” Megaton answered. “And by ‘formidable,’ I mean lethal.”
“It’s beyond lethal,” Mouse countered. “We’re talking weapons and technology capable of roasting a planet, and not all of it terrestrial in origin. After all, it would be intended to stop something or someone capable of injuring Alpha Prime.”
            “So basically, no one’s getting in there without an invitation,” Electra summarized.
            “More or less,” Mouse said, drumming his fingers on the worktable. “However, I’m betting there’s one person Alpha Prime would definitely have given access to. Someone he would have allowed to come and go as they pleased.”
            “Someone whose biometrics he would have fed into his defense system so they could enter in safety,” Megaton added, catching on.
I felt a hollow pit in my stomach, plainly seeing where this conversation was going.
            “Who?” Electra asked, her brow furrowed. “Who?”
            Mouse hesitated for a second, then said, “His son.”
            “You mean Paramount?” asked Electra, her tone making it clear that this was something of an anticlimactic revelation. “He’s still locked up who-knows-where, with no chance of ever getting out.”
            “No, not Paramount,” Mouse said. “His other son.”
            Shock and confusion fought for supremacy on Electra’s face, as well as on an emotional level within her. This was plainly news to her, and it wasn’t immediately clear how she would react.
            “What other son?” she muttered after a few seconds, obviously still processing what she had just heard.
            There was dead silence as Mouse and Megaton both looked in my direction.
            “Me,” I said flatly.


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